Scored entertainment-first on WhatSphere's content-balance model 3
Its director stated on the record that "he didn't believe books, paintings, or films had any ability to bring about social change, Reality is so sunken into societies that change can only come over a…" 1. Its narrative-universality assessment registers 8 of 10 2. Taken together, the content-balance model places it entertainment-first at 9 of 100 3.
- 1Creator statementdirector: "He didn't believe books, paintings, or films had any ability to bring about social change. Reality is so sunken into societies that change can only come over a long period of time through the efforts…"Cole Smithey Reviews, Cannes 2003 interview source ↗
- 2Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 3Content balanceAdvocacy 9 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 87 — strongly mature-audience
Quadrant Scores
Audience Representation
Racial audience withheld
Only 67% of the cast has a researched race, so these scores stay blank.
Why this is blank
A partial classification would pull origin-race scores toward the researched slice and away from the cast as it is. The nine audience scores are withheld instead of shown as zero. Zero would mean no audience, which is not what a thin cast record says.
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
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Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.
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Lineage and popularity
No lineage or popularity yet
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Cast & Crew
Tomás Rezende (director) · Maria Farkas (director)
Made for the Same Audience
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Same Audience, Lower Advocacy
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