Made first for young women 1
Annaluise & Anton's audience scores lean most toward young women at 100 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreyoung women 100 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Age: 13 — strongly youth-oriented
Quadrant Scores
Audience Representation
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Advocacy Over Time in Family
The average advocacy score of Family titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1944 | 0 | 2 |
| 1951 | 0 | 2 |
| 1959 | 0 | 2 |
| 1965 | 0 | 2 |
| 1969 | 0 | 2 |
| 1973 | 0 | 3 |
| 1974 | 0 | 2 |
| 1975 | 0 | 2 |
| 1977 | 0 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 3 |
| 1983 | 1 | 5 |
| 1984 | 3 | 2 |
| 1985 | 0 | 3 |
| 1986 | 0 | 8 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 2 | 8 |
| 1990 | 0 | 8 |
| 1991 | 1 | 5 |
| 1992 | 1 | 6 |
| 1993 | 0 | 9 |
| 1994 | 1 | 8 |
| 1995 | 2 | 4 |
| 1996 | 3 | 5 |
| 1997 | 0 | 7 |
| 1998 | 0 | 4 |
| 1999 | 1 | 10 |
| 2000 | 1 | 5 |
| 2001 | 2 | 10 |
| 2002 | 1 | 10 |
| 2003 | 1 | 12 |
| 2004 | 0 | 8 |
| 2005 | 1 | 13 |
| 2006 | 1 | 15 |
| 2007 | 0 | 14 |
| 2008 | 2 | 9 |
| 2009 | 2 | 5 |
| 2010 | 4 | 4 |
| 2011 | 3 | 4 |
| 2013 | 6 | 4 |
| 2015 | 4 | 2 |
| 2016 | 8 | 4 |
| 2017 | 12 | 5 |
| 2019 | 14 | 7 |
| 2020 | 5 | 8 |
| 2021 | 5 | 6 |
| 2022 | 16 | 6 |
| 2023 | 25 | 9 |
| 2024 | 5 | 12 |
| 2025 | 6 | 11 |
| 2026 | 0 | 6 |
| This title (1999) | 0 | 1 |
● This title (1999): advocacy 0 · explore Family →
Cast & Crew
Torsten Breuer (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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