Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "i wanted to make an ambitious blockbuster with ecological consciousness, because I myself am committed to Sea Shepherd, an organization for protecting seas and…" 1. Its director stated on the record that "it's an ecological fable that discusses our humanity and a specific shark species that becomes dysfunctional because of us" 2. Its director stated on the record that "in principle, the Olympics are all about bringing people from everywhere in the world, all together, And that's great, and virtuous, But there is also a lot of…" 3. Taken together, the content-balance model places it entertainment-first at 12 of 100 4. Relative to the expected cast make-up for its production origin, on-screen representation registers below the baseline for White 5.
- 1Creator statementdirector: "I wanted to make an ambitious blockbuster with ecological consciousness, because I myself am committed to Sea Shepherd, an organization for protecting seas and oceans."Le Journal du Dimanche, January 2024 source ↗
- 2Creator statementdirector: "It's an ecological fable that discusses our humanity and a specific shark species that becomes dysfunctional because of us."cinema.jeuxactu.com interview, 2024 source ↗
- 3Creator statementdirector: "In principle, the Olympics are all about bringing people from everywhere in the world, all together. And that's great, and virtuous. But there is also a lot of hypocrisy and a commercial ideology beh…"Variety, June 2024 source ↗
- 4Content balanceAdvocacy 12 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
- 5RepresentationRepresentation vs production-origin baseline: White 9.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
In order to save Paris from an international bloodbath, a grieving scientist is forced to face her tragic past when a giant shark appears in the Seine.
Age: 41 — leans younger
Quadrant Scores
Audience Representation
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Advocacy Over Time in Action
The average advocacy score of Action titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1964 | 0 | 2 |
| 1965 | 4 | 3 |
| 1966 | 0 | 4 |
| 1968 | 2 | 2 |
| 1970 | 0 | 2 |
| 1971 | 0 | 4 |
| 1972 | 0 | 2 |
| 1973 | 1 | 9 |
| 1975 | 0 | 3 |
| 1977 | 2 | 2 |
| 1979 | 0 | 3 |
| 1980 | 3 | 5 |
| 1981 | 0 | 3 |
| 1982 | 0 | 5 |
| 1983 | 0 | 7 |
| 1984 | 2 | 11 |
| 1985 | 0 | 7 |
| 1986 | 2 | 10 |
| 1987 | 1 | 14 |
| 1988 | 0 | 4 |
| 1989 | 0 | 10 |
| 1990 | 0 | 5 |
| 1991 | 0 | 9 |
| 1992 | 1 | 8 |
| 1993 | 0 | 11 |
| 1994 | 2 | 14 |
| 1995 | 1 | 11 |
| 1996 | 0 | 9 |
| 1997 | 2 | 13 |
| 1998 | 0 | 10 |
| 1999 | 1 | 13 |
| 2000 | 1 | 11 |
| 2001 | 1 | 20 |
| 2002 | 1 | 17 |
| 2003 | 2 | 14 |
| 2004 | 2 | 19 |
| 2005 | 3 | 18 |
| 2006 | 1 | 23 |
| 2007 | 1 | 18 |
| 2008 | 2 | 22 |
| 2009 | 2 | 9 |
| 2010 | 3 | 8 |
| 2011 | 3 | 12 |
| 2012 | 5 | 10 |
| 2013 | 4 | 16 |
| 2014 | 6 | 9 |
| 2015 | 7 | 16 |
| 2016 | 15 | 9 |
| 2017 | 9 | 17 |
| 2018 | 9 | 20 |
| 2019 | 11 | 18 |
| 2020 | 10 | 13 |
| 2021 | 10 | 25 |
| 2022 | 15 | 32 |
| 2023 | 12 | 25 |
| 2024 | 8 | 31 |
| 2025 | 4 | 35 |
| 2026 | 8 | 16 |
| This title (2024) | 12 | 1 |
● This title (2024): advocacy 12 · explore Action →
Cast & Crew
Augustin Paliard (director) · Jude Poyer (director)