Made first for older men 1
Trade's audience scores lean most toward older men at 92 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Hispanic and below it for White 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreolder men 92 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: Hispanic 98, White 3.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
A Texas cop, whose own daughter might have been forced into sexual slavery, joins forces with a Mexican youth to find the boy's sister, who was abducted and forced into prostitution. Meanwhile, a Polish woman who was promised a better life in America also becomes a victim.
Age: 61 — leans mature
Quadrant Scores
Audience Representation
Where to Watch (US)
Amazon Prime Video
Amazon Prime Video with Ads
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeWhat did the audience think? Rate Trade — every voice counts equally, no account needed. Clean reviews appear instantly.
Put its audience profile side by side with any other title.
Advocacy Over Time in Thriller
The average advocacy score of Thriller titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1942 | 0 | 2 |
| 1944 | 1 | 2 |
| 1946 | 0 | 4 |
| 1947 | 0 | 2 |
| 1948 | 0 | 2 |
| 1949 | 0 | 2 |
| 1951 | 1 | 4 |
| 1954 | 6 | 2 |
| 1955 | 0 | 2 |
| 1956 | 0 | 3 |
| 1958 | 1 | 3 |
| 1959 | 0 | 3 |
| 1960 | 2 | 2 |
| 1963 | 0 | 4 |
| 1964 | 1 | 6 |
| 1965 | 6 | 2 |
| 1967 | 0 | 2 |
| 1968 | 1 | 4 |
| 1969 | 0 | 3 |
| 1970 | 0 | 3 |
| 1971 | 0 | 6 |
| 1972 | 1 | 5 |
| 1973 | 2 | 2 |
| 1974 | 0 | 2 |
| 1975 | 2 | 5 |
| 1976 | 0 | 6 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1980 | 2 | 2 |
| 1981 | 0 | 2 |
| 1982 | 1 | 5 |
| 1983 | 2 | 2 |
| 1984 | 2 | 6 |
| 1985 | 0 | 4 |
| 1986 | 2 | 6 |
| 1987 | 1 | 9 |
| 1988 | 2 | 2 |
| 1989 | 1 | 8 |
| 1990 | 0 | 8 |
| 1991 | 2 | 6 |
| 1992 | 2 | 6 |
| 1993 | 0 | 9 |
| 1994 | 1 | 7 |
| 1995 | 1 | 12 |
| 1996 | 2 | 11 |
| 1997 | 1 | 11 |
| 1998 | 1 | 11 |
| 1999 | 3 | 8 |
| 2000 | 2 | 12 |
| 2001 | 0 | 12 |
| 2002 | 1 | 12 |
| 2003 | 2 | 15 |
| 2004 | 0 | 14 |
| 2005 | 0 | 20 |
| 2006 | 1 | 24 |
| 2007 | 1 | 25 |
| 2008 | 1 | 17 |
| 2009 | 3 | 4 |
| 2010 | 10 | 2 |
| 2011 | 0 | 5 |
| 2012 | 4 | 4 |
| 2014 | 3 | 6 |
| 2015 | 6 | 4 |
| 2016 | 4 | 2 |
| 2017 | 4 | 5 |
| 2018 | 4 | 4 |
| 2019 | 4 | 8 |
| 2020 | 2 | 3 |
| 2021 | 10 | 6 |
| 2022 | 6 | 9 |
| 2023 | 8 | 7 |
| 2024 | 8 | 16 |
| 2025 | 1 | 18 |
| 2026 | 0 | 3 |
| This title (2007) | 0 | 1 |
● This title (2007): advocacy 0 · explore Thriller →
Cast & Crew
Marco Kreuzpaintner (director) · Daniel Gottschalk (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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