Made first for older men 1
The Man Who Haunted Himself's audience scores lean most toward older men at 83 of 100, with comparable appeal to young men 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreolder men 83 of 100 is the top quadrant, with young men 72 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 56 — leans mature
Quadrant Scores
Audience Representation
Racial audience not shown
Not enough of the cast has a researched race to score this honestly (35% classified).
Why this is blank
Racial audience scores need at least half the actor cast classified. Below that line the page shows this note instead of a number. A blank is not a score of zero.
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
KanopySynopsis
Executive Harold Pelham suffers a serious accident after which he faces the shadow of death. When, against all odds, he miraculously recovers, he discovers that his life does not belong to him anymore.
What did the audience think? Rate The Man Who Haunted Himself — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Thriller
The average advocacy score of Thriller titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1942 | 0 | 2 |
| 1944 | 1 | 2 |
| 1946 | 0 | 4 |
| 1947 | 0 | 2 |
| 1948 | 0 | 2 |
| 1949 | 0 | 2 |
| 1951 | 3 | 4 |
| 1954 | 9 | 2 |
| 1955 | 0 | 2 |
| 1956 | 2 | 3 |
| 1958 | 1 | 3 |
| 1959 | 2 | 3 |
| 1960 | 5 | 2 |
| 1963 | 2 | 4 |
| 1964 | 3 | 6 |
| 1965 | 6 | 2 |
| 1967 | 3 | 2 |
| 1968 | 1 | 4 |
| 1969 | 2 | 3 |
| 1970 | 0 | 3 |
| 1971 | 0 | 6 |
| 1972 | 1 | 5 |
| 1973 | 2 | 2 |
| 1974 | 0 | 2 |
| 1975 | 4 | 5 |
| 1976 | 0 | 6 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1980 | 5 | 2 |
| 1981 | 0 | 2 |
| 1982 | 2 | 5 |
| 1983 | 5 | 2 |
| 1984 | 4 | 6 |
| 1985 | 2 | 4 |
| 1986 | 4 | 6 |
| 1987 | 3 | 9 |
| 1988 | 2 | 2 |
| 1989 | 2 | 8 |
| 1990 | 2 | 8 |
| 1991 | 5 | 6 |
| 1992 | 4 | 6 |
| 1993 | 2 | 9 |
| 1994 | 3 | 7 |
| 1995 | 4 | 12 |
| 1996 | 2 | 11 |
| 1997 | 3 | 11 |
| 1998 | 2 | 11 |
| 1999 | 6 | 8 |
| 2000 | 2 | 12 |
| 2001 | 1 | 12 |
| 2002 | 2 | 12 |
| 2003 | 4 | 15 |
| 2004 | 2 | 14 |
| 2005 | 2 | 20 |
| 2006 | 4 | 24 |
| 2007 | 2 | 25 |
| 2008 | 2 | 17 |
| 2009 | 7 | 4 |
| 2010 | 12 | 2 |
| 2011 | 0 | 5 |
| 2012 | 9 | 4 |
| 2014 | 6 | 6 |
| 2015 | 11 | 4 |
| 2016 | 7 | 2 |
| 2017 | 10 | 5 |
| 2018 | 8 | 4 |
| 2019 | 13 | 9 |
| 2020 | 3 | 3 |
| 2021 | 14 | 6 |
| 2022 | 10 | 9 |
| 2023 | 13 | 7 |
| 2024 | 16 | 16 |
| 2025 | 3 | 26 |
| 2026 | 3 | 33 |
| This title (1970) | 0 | 1 |
● This title (1970): advocacy 0 · explore Thriller →
Cast & Crew
Basil Dearden (director) · Tony Spratling (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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