Made first for young women 1
Sitting on the Golden Porch's audience scores lean most toward young women at 81 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreyoung women 81 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Two kings: Fedot and Amphibrachiy have been adjoining peacefully for many years. But once Amphibrachiy disappeared, and it became difficult for queen to cope with affairs. The state began to fall into decay. Also daughter Alyona absolutely got out of control. So mother decided to marry her. The king Fedot had three sons: Paul-tsarevitch, Peter-tsarevitch and Ivan-tsarevitch, whom everybody considered to be a fool. But he managed to gain Alyona's heart and, having won Kashchei the Immortal, set free the king Amphibrachiy.
Age: 41 — leans younger
Quadrant Scores
Audience Representation
What did the audience think? Rate Sitting on the Golden Porch — every voice counts equally, no account needed. Clean reviews appear instantly.
Put its audience profile side by side with any other title.
Advocacy Over Time in Family
The average advocacy score of Family titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1944 | 0 | 2 |
| 1951 | 0 | 2 |
| 1959 | 0 | 2 |
| 1965 | 0 | 2 |
| 1969 | 0 | 2 |
| 1973 | 0 | 3 |
| 1974 | 0 | 2 |
| 1975 | 0 | 2 |
| 1977 | 0 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 3 |
| 1983 | 1 | 5 |
| 1984 | 3 | 2 |
| 1985 | 0 | 3 |
| 1986 | 0 | 8 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 2 | 8 |
| 1990 | 0 | 8 |
| 1991 | 1 | 5 |
| 1992 | 1 | 6 |
| 1993 | 0 | 9 |
| 1994 | 1 | 8 |
| 1995 | 2 | 4 |
| 1996 | 3 | 5 |
| 1997 | 0 | 7 |
| 1998 | 0 | 4 |
| 1999 | 1 | 10 |
| 2000 | 1 | 5 |
| 2001 | 2 | 10 |
| 2002 | 1 | 10 |
| 2003 | 1 | 12 |
| 2004 | 0 | 8 |
| 2005 | 1 | 13 |
| 2006 | 1 | 15 |
| 2007 | 0 | 14 |
| 2008 | 2 | 9 |
| 2009 | 2 | 5 |
| 2010 | 4 | 4 |
| 2011 | 3 | 4 |
| 2013 | 6 | 4 |
| 2015 | 4 | 2 |
| 2016 | 8 | 4 |
| 2017 | 12 | 5 |
| 2019 | 14 | 7 |
| 2020 | 5 | 8 |
| 2021 | 5 | 6 |
| 2022 | 16 | 6 |
| 2023 | 25 | 9 |
| 2024 | 5 | 12 |
| 2025 | 6 | 11 |
| 2026 | 0 | 6 |
| This title (1986) | 0 | 1 |
● This title (1986): advocacy 0 · explore Family →
Cast & Crew
Boris Rytsarev (director) · Sergey Zhurbitskiy (director) · Yuriy Dmitriev (director) · Natalya Solomina (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Related Titles
