Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "i was very lucky: I'm British, I grew up in England, and I got to see myself represented in a film, I think it's about time that we represented the rest of the…" 1. Its director stated on the record that "we were all in agreement that not just because of the story, but because it's 2016, it's great to have such a diverse cast" 2. Its writer stated on the record that "please note that the Empire is a white supremacist (human) organization" 3. Taken together, the content-balance model places it entertainment-first at 9 of 100 4.
- 1Creator statementdirector: "I was very lucky: I'm British, I grew up in England, and I got to see myself represented in a film. I think it's about time that we represented the rest of the world."Uproxx/HitFix, December 2016 source ↗
- 2Creator statementdirector: "We were all in agreement that not just because of the story, but because it's 2016, it's great to have such a diverse cast."Slate, December 2016 source ↗
- 3Creator statementwriter: "Please note that the Empire is a white supremacist (human) organization."Twitter/X (deleted), November 11, 2016 - reported by Hollywood Reporter source ↗
- 4Content balanceAdvocacy 9 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
A rogue band of resistance fighters unite for a mission to steal the Death Star plans and bring a new hope to the galaxy.
Age: 37 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
Disney Plus
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeWhat did the audience think? Rate Rogue One: A Star Wars Story — every voice counts equally, no account needed. Clean reviews appear instantly.
Put its audience profile side by side with any other title.
Advocacy Over Time in Action
The average advocacy score of Action titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1964 | 0 | 2 |
| 1965 | 4 | 3 |
| 1966 | 0 | 4 |
| 1968 | 2 | 2 |
| 1970 | 0 | 2 |
| 1971 | 0 | 4 |
| 1972 | 0 | 2 |
| 1973 | 1 | 9 |
| 1975 | 0 | 3 |
| 1977 | 2 | 2 |
| 1979 | 0 | 3 |
| 1980 | 3 | 5 |
| 1981 | 0 | 3 |
| 1982 | 0 | 5 |
| 1983 | 0 | 7 |
| 1984 | 2 | 11 |
| 1985 | 0 | 7 |
| 1986 | 2 | 10 |
| 1987 | 1 | 14 |
| 1988 | 0 | 4 |
| 1989 | 0 | 10 |
| 1990 | 0 | 5 |
| 1991 | 0 | 9 |
| 1992 | 1 | 8 |
| 1993 | 0 | 11 |
| 1994 | 2 | 14 |
| 1995 | 1 | 11 |
| 1996 | 0 | 9 |
| 1997 | 2 | 13 |
| 1998 | 0 | 10 |
| 1999 | 1 | 13 |
| 2000 | 1 | 11 |
| 2001 | 1 | 20 |
| 2002 | 1 | 17 |
| 2003 | 2 | 14 |
| 2004 | 2 | 19 |
| 2005 | 3 | 18 |
| 2006 | 1 | 23 |
| 2007 | 1 | 18 |
| 2008 | 2 | 22 |
| 2009 | 2 | 9 |
| 2010 | 3 | 8 |
| 2011 | 3 | 12 |
| 2012 | 5 | 10 |
| 2013 | 4 | 16 |
| 2014 | 6 | 9 |
| 2015 | 7 | 16 |
| 2016 | 15 | 9 |
| 2017 | 9 | 17 |
| 2018 | 9 | 20 |
| 2019 | 11 | 18 |
| 2020 | 10 | 13 |
| 2021 | 10 | 25 |
| 2022 | 15 | 32 |
| 2023 | 12 | 25 |
| 2024 | 8 | 31 |
| 2025 | 4 | 35 |
| 2026 | 8 | 16 |
| This title (2016) | 9 | 1 |
● This title (2016): advocacy 9 · explore Action →
Cast & Crew
Simon Crane (director) · Barney Shakespeare (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Featured in Our Analysis
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