Made first for older men 1
Pride and Glory's audience scores lean most toward older men at 100 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black 3. On content balance it reads entertainment-first at 6 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreolder men 100 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 74, Black 26.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 6 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 70 — strongly mature-audience
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
A saga centered on a multi-generational family of New York City Police officers. The family's moral codes are tested when Ray Tierney, investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Crime
The average advocacy score of Crime titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1929 | 1 | 3 |
| 1931 | 0 | 2 |
| 1932 | 0 | 4 |
| 1937 | 0 | 2 |
| 1941 | 1 | 3 |
| 1944 | 3 | 3 |
| 1946 | 0 | 2 |
| 1948 | 0 | 2 |
| 1950 | 3 | 3 |
| 1951 | 0 | 2 |
| 1954 | 0 | 3 |
| 1955 | 0 | 2 |
| 1956 | 3 | 2 |
| 1958 | 0 | 3 |
| 1959 | 3 | 4 |
| 1960 | 0 | 3 |
| 1961 | 6 | 2 |
| 1962 | 3 | 2 |
| 1963 | 2 | 3 |
| 1964 | 6 | 2 |
| 1965 | 1 | 4 |
| 1967 | 0 | 4 |
| 1968 | 0 | 2 |
| 1969 | 1 | 5 |
| 1971 | 2 | 8 |
| 1972 | 2 | 4 |
| 1973 | 1 | 7 |
| 1974 | 3 | 5 |
| 1975 | 1 | 5 |
| 1976 | 2 | 4 |
| 1978 | 4 | 2 |
| 1980 | 0 | 3 |
| 1983 | 6 | 4 |
| 1984 | 5 | 5 |
| 1986 | 2 | 7 |
| 1987 | 2 | 7 |
| 1988 | 2 | 3 |
| 1989 | 1 | 10 |
| 1990 | 4 | 5 |
| 1991 | 5 | 4 |
| 1992 | 2 | 8 |
| 1993 | 2 | 7 |
| 1994 | 4 | 10 |
| 1995 | 4 | 10 |
| 1996 | 3 | 8 |
| 1997 | 3 | 9 |
| 1998 | 2 | 10 |
| 1999 | 7 | 12 |
| 2000 | 3 | 13 |
| 2001 | 0 | 10 |
| 2002 | 5 | 8 |
| 2003 | 2 | 13 |
| 2004 | 3 | 12 |
| 2005 | 2 | 20 |
| 2006 | 2 | 15 |
| 2007 | 2 | 15 |
| 2008 | 3 | 12 |
| 2009 | 3 | 7 |
| 2010 | 5 | 2 |
| 2011 | 3 | 5 |
| 2012 | 15 | 3 |
| 2013 | 12 | 8 |
| 2014 | 15 | 5 |
| 2015 | 12 | 6 |
| 2017 | 11 | 9 |
| 2018 | 13 | 10 |
| 2019 | 7 | 7 |
| 2020 | 3 | 8 |
| 2021 | 11 | 9 |
| 2022 | 11 | 7 |
| 2023 | 11 | 5 |
| 2024 | 11 | 8 |
| 2025 | 7 | 14 |
| 2026 | 1 | 16 |
| This title (2008) | 6 | 1 |
● This title (2008): advocacy 6 · explore Crime →
Cast & Crew
Sarah Rae Garrett (director) · Colin MacLellan (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
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