Made first for older women 1
Glittering Days's audience scores lean most toward older women at 78 of 100, with comparable appeal to young women 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreolder women 78 of 100 is the top quadrant, with young women 73 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 53 — age-balanced
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Synopsis
Back in the days when there was no television, people would visit lounges to watch singers perform. Gam Yin is a semi-retired singer who now manages talent and tries to set them up with more places to perform. Unfortunately, fate has brought her in conflict with Ling Fung, a well-known but arrogant singer in Shanghai. Ling Fung hails from a small village and has worked his way up to stardom. His childhood friend Chu Yuk-Lan has had a crush on him since they were young. These characters' lives intertwine when Ling Fung experiences a reverse of fortune and Yuk-Lan quickly achieves fame.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Drama
The average advocacy score of Drama titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1920 | 3 | 2 |
| 1925 | 0 | 2 |
| 1927 | 3 | 2 |
| 1928 | 0 | 3 |
| 1929 | 2 | 2 |
| 1930 | 2 | 6 |
| 1931 | 1 | 4 |
| 1932 | 1 | 5 |
| 1936 | 0 | 2 |
| 1937 | 0 | 3 |
| 1939 | 9 | 2 |
| 1940 | 0 | 3 |
| 1941 | 3 | 2 |
| 1942 | 0 | 5 |
| 1943 | 0 | 3 |
| 1944 | 0 | 7 |
| 1946 | 1 | 3 |
| 1947 | 0 | 2 |
| 1948 | 2 | 4 |
| 1950 | 4 | 6 |
| 1951 | 2 | 5 |
| 1952 | 3 | 6 |
| 1953 | 1 | 10 |
| 1954 | 4 | 4 |
| 1955 | 3 | 8 |
| 1956 | 3 | 7 |
| 1957 | 2 | 10 |
| 1958 | 3 | 6 |
| 1959 | 3 | 9 |
| 1960 | 0 | 12 |
| 1961 | 4 | 7 |
| 1962 | 2 | 12 |
| 1963 | 1 | 14 |
| 1964 | 3 | 8 |
| 1965 | 2 | 11 |
| 1966 | 2 | 10 |
| 1967 | 1 | 7 |
| 1968 | 3 | 9 |
| 1969 | 1 | 10 |
| 1970 | 1 | 10 |
| 1971 | 0 | 8 |
| 1972 | 2 | 9 |
| 1973 | 1 | 14 |
| 1974 | 2 | 15 |
| 1975 | 3 | 13 |
| 1976 | 2 | 20 |
| 1977 | 2 | 8 |
| 1978 | 0 | 5 |
| 1979 | 3 | 11 |
| 1980 | 2 | 13 |
| 1981 | 1 | 8 |
| 1982 | 2 | 13 |
| 1983 | 2 | 15 |
| 1984 | 1 | 14 |
| 1985 | 3 | 11 |
| 1986 | 3 | 12 |
| 1987 | 2 | 19 |
| 1988 | 3 | 13 |
| 1989 | 2 | 16 |
| 1990 | 2 | 14 |
| 1991 | 3 | 14 |
| 1992 | 3 | 18 |
| 1993 | 3 | 23 |
| 1994 | 5 | 25 |
| 1995 | 4 | 26 |
| 1996 | 2 | 29 |
| 1997 | 4 | 23 |
| 1998 | 4 | 24 |
| 1999 | 5 | 42 |
| 2000 | 3 | 41 |
| 2001 | 3 | 41 |
| 2002 | 3 | 41 |
| 2003 | 4 | 36 |
| 2004 | 4 | 65 |
| 2005 | 4 | 67 |
| 2006 | 2 | 82 |
| 2007 | 2 | 68 |
| 2008 | 2 | 49 |
| 2009 | 2 | 28 |
| 2010 | 7 | 22 |
| 2011 | 4 | 24 |
| 2012 | 4 | 19 |
| 2013 | 7 | 24 |
| 2014 | 10 | 22 |
| 2015 | 12 | 19 |
| 2016 | 10 | 23 |
| 2017 | 13 | 31 |
| 2018 | 9 | 35 |
| 2019 | 11 | 36 |
| 2020 | 7 | 34 |
| 2021 | 13 | 35 |
| 2022 | 21 | 34 |
| 2023 | 16 | 18 |
| 2024 | 16 | 17 |
| 2025 | 3 | 20 |
| 2026 | 4 | 27 |
| This title (2006) | 0 | 1 |
● This title (2006): advocacy 0 · explore Drama →
Cast & Crew
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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