Scored entertainment-first on WhatSphere's content-balance model 2
Its narrative-universality assessment registers 5 of 10 1. Taken together, the content-balance model places it entertainment-first at 11 of 100 2.
- 1Narrative universalityNarrative universality 5 of 10; identity centrality prominent.WhatSphere content assessment. Narrative universality 5/10 -> advocacy signal 56
- 2Content balanceAdvocacy 11 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 5/10 -> advocacy signal 56
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Age: 75 — strongly mature-audience
Quadrant Scores
Audience Representation
Racial audience not shown
Not enough of the cast has a researched race to score this honestly.
Why this is blank
Racial audience scores need at least half the actor cast classified. Below that line the page shows this note instead of a number. A blank is not a score of zero.
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Synopsis
"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).
What did the audience think? Rate El campo para el hombre — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Documentary
The average advocacy score of Documentary titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1905 | 0 | 5 |
| 1938 | 5 | 2 |
| 1967 | 3 | 2 |
| 1968 | 5 | 2 |
| 1970 | 2 | 3 |
| 1971 | 0 | 2 |
| 1974 | 0 | 3 |
| 1975 | 6 | 3 |
| 1985 | 0 | 2 |
| 1989 | 0 | 3 |
| 1990 | 0 | 2 |
| 1992 | 0 | 3 |
| 1994 | 0 | 3 |
| 1996 | 0 | 4 |
| 1997 | 0 | 5 |
| 1999 | 2 | 7 |
| 2001 | 1 | 3 |
| 2002 | 1 | 11 |
| 2003 | 2 | 15 |
| 2004 | 1 | 9 |
| 2005 | 3 | 11 |
| 2006 | 1 | 20 |
| 2007 | 2 | 9 |
| 2008 | 2 | 13 |
| 2009 | 0 | 5 |
| 2010 | 0 | 2 |
| 2011 | 0 | 9 |
| 2012 | 0 | 3 |
| 2013 | 1 | 8 |
| 2014 | 0 | 5 |
| 2015 | 0 | 3 |
| 2018 | 2 | 12 |
| 2019 | 0 | 7 |
| 2020 | 1 | 17 |
| 2021 | 3 | 6 |
| 2022 | 11 | 2 |
| This title (1975) | 11 | 1 |
● This title (1975): advocacy 11 · explore Documentary →
Cast & Crew
Helena Lumbreras (director) · Mariano Lisa (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
