Scored entertainment-first on WhatSphere's content-balance model 3
Its writer/director stated on the record that "christian and I were very interested in creating original characters that we would want to hang out with, That he would love to play, and I'd love to be around…" 1. Its narrative-universality assessment registers 8 of 10 2. Taken together, the content-balance model places it entertainment-first at 9 of 100 3. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Black and White and below it for Hispanic 4.
- 1Creator statementwriter/director: "Christian and I were very interested in creating original characters that we would want to hang out with. That he would love to play, and I'd love to be around... Characters we've never seen before,…"With Ashley and Co., September 2022 source ↗
- 2Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 3Content balanceAdvocacy 9 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
- 4RepresentationRepresentation vs production-origin baseline: Black 73, White 67, Hispanic 28.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 69 — leans mature
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
fuboTV
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Apple TV Store
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YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
In the 1930s, three friends—a doctor, a nurse, and an attorney—witness a murder, become suspects themselves and uncover one of the most outrageous plots in American history.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Mystery
The average advocacy score of Mystery titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1941 | 3 | 3 |
| 1946 | 0 | 2 |
| 1947 | 0 | 3 |
| 1958 | 2 | 2 |
| 1960 | 5 | 2 |
| 1963 | 1 | 5 |
| 1964 | 6 | 3 |
| 1972 | 3 | 3 |
| 1973 | 0 | 2 |
| 1974 | 0 | 2 |
| 1976 | 0 | 3 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1980 | 0 | 2 |
| 1982 | 0 | 4 |
| 1983 | 0 | 2 |
| 1985 | 0 | 2 |
| 1986 | 4 | 3 |
| 1987 | 1 | 3 |
| 1988 | 0 | 2 |
| 1990 | 0 | 2 |
| 1991 | 0 | 2 |
| 1992 | 7 | 3 |
| 1994 | 2 | 5 |
| 1995 | 5 | 4 |
| 1996 | 4 | 2 |
| 1997 | 1 | 5 |
| 1998 | 1 | 5 |
| 1999 | 6 | 7 |
| 2000 | 9 | 3 |
| 2001 | 3 | 7 |
| 2002 | 1 | 11 |
| 2003 | 2 | 5 |
| 2004 | 3 | 9 |
| 2005 | 3 | 9 |
| 2006 | 3 | 11 |
| 2007 | 2 | 13 |
| 2008 | 3 | 5 |
| 2009 | 4 | 4 |
| 2011 | 12 | 3 |
| 2013 | 8 | 2 |
| 2014 | 16 | 6 |
| 2015 | 20 | 2 |
| 2017 | 12 | 5 |
| 2018 | 12 | 6 |
| 2019 | 7 | 5 |
| 2020 | 4 | 8 |
| 2021 | 14 | 11 |
| 2022 | 18 | 9 |
| 2023 | 62 | 2 |
| 2024 | 29 | 6 |
| 2025 | 1 | 9 |
| 2026 | 2 | 14 |
| This title (2022) | 9 | 1 |
● This title (2022): advocacy 9 · explore Mystery →
Cast & Crew
Emmanuel Lubezki (director) · George Irizarri (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
